
Learning to Challenge the Canon to Build Your Library (and Passport)

Reading and visiting the classics to develop your own taste
On my first European grand tour, I avoided the destinations that top most Latin Americans’ compass: Spain and Italy. I threw myself into -20 degrees, layers of snow I’d never seen, different cultures. It was entertaining from every angle. But only when I arrived in Italy the following year did I understand the magnet: it wasn’t just the romanticism of roots, it was the cultural density I had already sensed in books, the one I recognized from my education and heritage. Reading Dante, Cervantes, Virgil had been theory; in Italy it became landscape, and everything clicked.
Reviewing my library, I discovered that my first wave was, predictably, the canon we’re invited to read when diving into literature. There was García Márquez with his Macondo of cyclical violence, where magic was the only way to narrate Latin America. The Bloomsbury Group salons, where Virginia Woolf discussed how to live and write differently, and Huxley criticized with one foot inside. The North American fever of the twenties, between clandestine cocktails and sequined dresses. The critique of the continent’s bloody roots: Rulfo’s desert silence, Fuentes’ blood, Padura’s Havana. And before all that, Homer, navigating the Mediterranean of wandering heroes and endless journeys.
This is the undisputed foundation: it orients, gives clues, sometimes bores and sometimes ignites. But it’s the initial map that everyone must accept or challenge before drawing their own library. Most of the time, the canon becomes a lighthouse. From there we discover our own taste and deepen into a style of narrative (and travel). In my library, essay-novels shine, with The Magic Mountain and its thousand pages inviting me to debate about pre-WWI European cuisine. The great open book on the world map full of pins and desires is Rome, the city I’ve returned to twelve times. From the Roman world to the Renaissance, Baroque, and Republic, there’s no historical gap that doesn’t captivate me.
To fill myself with something, I need density. After readings and travels through the old and new world, I learned that what I enjoy goes beyond, that reflects as well as entertains, that has layers, and depending on life’s moment, can be enjoyed each time from a different angle.
I saw someone on social media recently wondering why Munich doesn’t figure in essential European itineraries, and I think the answer lies in the canon. The German narrative we learn leads us first to Berlin: the Wall, historical memory, the weight of the 20th century. But Munich is another Germany, equally dense: capital of Bavaria, mirror of its architecture, its gastronomic festivals and folk traditions. It knows how to embrace the present without denying the past. The reading that best reflects Munich in my library is, precisely, Thomas Mann. It combines Germanic roots, bourgeois elegance, tension with modernity, and that air of a city that drinks beer under chestnut trees while safeguarding Gothic painting collections, infinite libraries, and tech company headquarters. The Germany where tradition and modernity coexist in tension appears as a second layer, less evident but equally essential.
Indeed, building our own collection of books, stories, cultures, communities, cities, and landscapes requires audacity and energy. I don’t mean this snobbishly, but practically: it takes time, resources, and also curiosity.
Sometimes it even takes courage to answer uncomfortable questions when we stray from the route everyone expects: why are you reading that contemporary author and not Proust? Tuscany again when you haven’t been to Galicia? But that questioning Faust is mainly within us, with internal questions: do I invest my precious free time discovering if the French, Swiss, Italian, or Austrian Alps resonate with me? What if it’s all the same?
In that small example lies a world: which Swiss Alps am I talking about? The beauty and luxury of St. Moritz on the frozen lake, where horse carriages compete for prizes while we savor sparkling wine served by a waiter on ice skates? The ski and mountaineering life of Zermatt, the conscientious village where the few vehicles are electric, and the constant view of the Matterhorn reminds us that this is the nature we want to keep pristine?
Though I briefly visited St. Moritz three times, I would undoubtedly spend weeks and weeks in different seasons under the Matterhorn, walking its trails, gliding down slopes, discovering Italian faces and French peaks from above. It’s not that luxury discomforts me, but I didn’t find in it the vitality I found in Zermatt.
In photographs everything seems beautiful, no doubt. But living it, like turning the pages of a book, we discover what opens our curiosity. A curiosity fed by walks, questions to locals, readings, and where I find pleasure. The path can sometimes be heavy. There are fogs where we read or visit only because everyone else does. Soon comes that bloodhound moment when you smell what’s yours. By instinct, guided by booksellers, reader friends, travelers, or a curious friend like me, you can reach your truffle.
That’s how I found María Gainza: thoroughly porteña, art lover, social critic, autobiographical essayist who plays with literature. From the first pages of The Optic Nerve, I realized that those analyses of Buenos Aires museum artworks interwoven with slightly satirical autobiographical tales captivated me. The architectural beauty and political power of the Savoys’ brief kingdom that nevertheless unified Italy led me to Turin to eat gianduiotti (and white truffles in nearby Alba). Discovering these jewels, by myself, was worth every reading and every journey. The risk of being wrong is always in the air, but the reward is so great that I keep sniffing the wind, searching for the next treasure my nose will lead me to.
It’s not about collecting prestigious destinations or authors. It’s about recognizing what makes you feel more alive, more curious, more yourself.
What place or book made you understand you could draw your own map?

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