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A letter to the Riviera Maya I met in 2010

Palmas de playa de México

Corals that are gone, sargassum that persists, and why I keep designing journeys

I travelled with my father to the Riviera Maya in 2010 to complete our diving certification. We immersed ourselves in what was known as the second largest barrier reef in the world. Four unforgettable dives: we swam alongside giant turtles, crossed natural tunnels formed by coral, and, while parasailing, saw from the air the immensity of the Mexican Caribbean, with its turquoise, cobalt blue and emerald green stripes.

During four days of training, I paid 400 dollars to learn how to breathe underwater in front of such wonder. The phrase —“second largest barrier reef in the world”— I had found the night before on Wikipedia, thrilled to have such a treasure just nine hours from Buenos Aires. It felt like a privilege to see it, to have it here in the Americas.

Tour operators preferred other adjectives: “crystalline waters”, “unique biodiversity”, “unforgettable experience”.

I learned that nitrogen can kill you if you ascend too quickly, that moray eels may mistake your finger for a fish, that you should never touch coral. Nobody mentioned that the coral we were told not to touch was already dying. Silence was part of the product. We had paid for a dream, not for an ecology lesson.

Cozumel, with its famous coral walls, remained pending. But even then we knew the reefs were in danger.

The return and the invisible brigades

I went back in 2017, this time to Tulum, though I didn’t dive. Armed with Google Maps and determined to avoid crowds, I found a beach labelled by algorithms as a “hidden gem.” At six in the morning, waiting for the sunrise, I discovered another scene: cleaning brigades.

Four men with rakes and a pickup truck collected mountains of algae before the first tourists arrived. They worked silently, efficiently, invisibly. When I asked, one said: “It’s temporary, miss. Just currents.” But his eyes said otherwise. It was 2017 and sargassum had been arriving for six years. How long does “temporary” last when no one dares to name it?

Living in Mexico, I learned that sargassum was no longer a seasonal inconvenience but a crisis shaping every conversation about Caribbean tourism. The question was no longer if it would come, but how to hide it.

The new Caribbean vocabulary

I learned a coded language of the industry:

  • “Variable natural conditions” (there is sargassum).
  • “Authentic Caribbean experience” (you’ll see the reality outside postcards).
  • “Coastal renewal season” (do not come these months).
  • And the most perverse: “Opportunity to discover other attractions.” As if ecological collapse were an invitation to buy more tours.

What caught my attention: the conversation always focused on economic impact. Almost never on environmental effects. And rarely on the reef itself.

The sargassum belt

Since 2011, beaches once ranked among the cleanest in the world have received tons of floating algae called sargassum. What first seemed like an anomaly became an annual pattern, with increasingly severe consequences.

Sargassum —Sargassum natans and Sargassum fluitans— has always existed, drifting in the North Atlantic as part of a healthy ecosystem. The problem is scale: excess nutrients from the Amazon and Orinoco, global warming, altered currents. All combined to form the Great Atlantic Sargassum Belt, a strip of more than 8,000 kilometres of algae —the size of 800 Buenos Aires— that drifts every year from Africa to the Caribbean.

It doesn’t just ruin postcards. It blocks sunlight corals need, releases toxic gases as it decomposes, alters water pH, and fosters bacteria competing with reefs. All this while the Mesoamerican Barrier Reef already suffers bleaching, acidification, and pollution.

In Martinique, a school was forced to close because of the gases. In Barbados, hotel occupancy fell 40% as sargassum was removed by truckloads. In the Lesser Antilles, fishermen fought with tangled nets. Yet on Instagram, the Caribbean still looked unchanged.

The questions that change

In 2010 I asked: Where’s the best visibility? At what depth are the turtles? Is the water warm?

Now I ask: Why is the water hotter each year? What stories are left untold? For whom does this paradise exist? Does my presence speed its decline?

Sometimes I think my diving certification was also a historical document: Certified Open Water Diver, Riviera Maya, 2010. Translation: authorised to explore a world that once existed.

Travelling to remember

Sargassum is not just an aesthetic nuisance. It is a messenger insisting on speaking while we perfect the art of not listening. Like climate change, it feels enormous, complex, ungraspable. But one thing is within our reach: stop looking away. Name what is happening. Remember. Because sometimes, remembering coral is also a way of trying to save it.

While the Caribbean learned to hide its wound, I sought another sea. On the Pacific, the Sea of Cortez revealed biodiversity the Caribbean had already lost. In La Paz —not in Cabo’s all-inclusive resorts— I swam with sea lions, watched manta rays leap, realised that balance is still possible in some places.

It is not that resort tourism is the only cause of collapse. But when a place becomes a stage for unreflective consumption —drinks, parties, selfies— it loses its ability to teach, to transform. And without transformation, why travel?

Journeys with memory

At HeySole! I design journeys for those who, like me, seek more than crystalline waters. For those who understand that travel is also about bearing witness, asking questions, creating conscious memories.

Because knowing a place is not only about where to eat the best ceviche or find the quietest beach. It is about understanding its silences, its transformations, its beauty and its wounds.

If this text made you think differently about how we travel, share it. Because remembering a coral is also a way of caring for it.

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Viñedo entre cardones y cerros de colores
A tale of two Augusts

In northern Argentina, August is celebrated by feeding the earth. In Italy, by closing the office.

In five days I received two messages.

The first came from the road that links Salta and Jujuy. A friend riding shotgun, telling me she was taking the day off to celebrate the first of August, as one should. I confess I had to google it.

The second arrived in writing, from a design studio in Alba, Piemonte. They were happy: the holidays are coming. Ferragosto is near.

In northern Argentina, as in other Andean regions, this is the dry season, so on the first of August a hole is dug in some corner of the garden, the balcony, the mountain, and the family offers the earth what it likes best: empanadas, wine, coca leaves, a fizzy drink. The earth is fed. Thanks are given, prosperity and fertility are asked for, and the empanadas and wine pass on to the guests. The siku, played in pairs because each musician holds half the notes, the chacareras, rock or cumbia sound in the background, and it all turns into a party.

In Italy, around these dates, the opposite happens. The 15th of August has been celebrated since Roman times. The tradition comes from the Feriae Augusti, the rest after the labours of the field decreed by the emperor, which later absorbed a Christian tradition, the Assumption of the Virgin. Over there it’s hot and everything is closed. If you’re in the city, you’re probably a foreigner. It’s not the earth that eats and drinks, but the Italians. Saying Buon Ferragosto is a way of closing the office, greeting the family and taking the train to leave the concrete behind.

Something else is done in Argentina at this time of year, in the Litoral mostly, though it has spread a little to the rest of the country: drinking caña con ruda. Last Sunday was the first Vino de Viaje gathering, where we drank not caña but wine. One of the wines was from Jujuy, from the Quebrada de Humahuaca, a desert around the Río Grande. It’s hard to imagine vineyards there, among hills of seven and fourteen colours and cardón cacti several metres tall. But thirst suits the vine: less water, smaller bunches, each grape more concentrated. And the high-altitude radiation thickens its skin.

In Piemonte, between the Ligurian Sea and the Alps, the August heat has an expiry date: by October you can’t see the vineyard next door. That’s where Nebbiolo is harvested, a grape named after the fog and pale all the same: little colour, plenty of tannin.

The desert where you can see everything gives an opaque wine. The fog where you can see nothing gives a transparent one.

Besides the wine, I told them how to travel to each bottle: where the Dupont estate sits in Maimará, what you cross on the road, where to stop. And we talked about the pasacana, the cardón’s fruit, with those white hairs. I didn’t tell the legend: a cacique’s daughter who fled with a forbidden love, and Pachamama, who sheltered them by turning them into what they are now. She stayed there, embracing him, under the green poncho.

My friend has already toasted the earth and is driving back along that road. In Alba they’re closing the studio. The cardones are still there, standing in the desert.

Originally published in The Detour on 10 August 2026.

No llevaba efectivo y terminé en el pueblo equivocado
I had no cash, so I ended up in the wrong village

A cash-only ferry, an accidental detour, and a full-scale replica 8,000 kilometres away.

When I told my mother I was going to the Alps, she said not to miss Hallstatt. It was the place she had loved most on her trip fifteen years earlier. She warned me it wasn’t easy to get to, that she had gone with a tour. Stubborn as I am, I decided not to.

With the help of Google and AI, I optimised the perfect route from Salzburg. Hallstatt sits across a lake from its own train station, and you can reach it by road, driving straight in, or by a combination of transport. I chose the complicated one: a scenic bus skirting the great Wolfgangsee, a few stops on a local train and, finally, a short boat ride that crosses the Hallstätter See in a perfect straight line to arrive at the prettiest village in Austria, perhaps in all the Alps.

But the optimisation failed. As the crowd came off the train and began to pile up on the pier, I overheard, in someone else’s conversation, what was about to become my problem: only cash. And of course, I had none. With very little hope I waited for the boat to dock and asked about possible exceptions. The answer was a dry, simple no. I was stranded on the wrong side of the lake.

I looked along the left shore and spotted a path; according to the map, the next village was an hour away on foot. The alternative was to wait for another train, which would take just as long, or to turn back. It looked like a pleasant walk in the sun, so I set off along what seemed to be a bicycle path, rising and falling for a few kilometres beside the water.

When I reached Obertraun I found a village that was picturesque, but a ghost. From where the village began, with its little alpine houses and small uninhabited hotels, I walked another twenty minutes, starting to doubt a strategy that had brought me, on foot, to nowhere.

A few metres past the chapel stood the famous ATM. At the bus stop, a tidy timetable announced the next service in an hour. After a short, warm exchange with the woman at the tourism office, centred on the activities winter would soon bring with the snow, I went back out to wander until it was time. The absolute silence was broken by a bus returning children from school. While they got off and scattered, running to their houses, mine arrived.

Minutes later I was sitting with my nose against the glass to follow, up close, the route that climbed to the Krippenstein ski centre, on the Dachstein massif, and brought me, finally, to Hallstatt.

The first impression didn’t come from the village but from the number of people with suitcases, large and very large, moving in every direction. For me this was a day trip; it took me a while to understand what was happening. Since the detour had cost me more time than planned, I concentrated on getting lunch, though without much success: places were closed, or open but with no interest in having me. I managed, in the end, a soup opposite the Protestant church.

I walked the village end to end in far less time than the sunny path had taken me. I read the angry signs at the viewpoints: you may take the postcard photo, but in silence and without showing enthusiasm.

Of course. Hallstatt had lived through a boom, especially after the postcard materialised into a village replicated brick by brick by a mining company in Boluo, in Guangdong province.

The village exists because of salt. Its mine, one of the oldest in the world, was run by the Habsburgs from Vienna: hence the name of the region, Salzkammergut, the salt chest of the crown. Today it is an attraction with a slide. It was closed for renovation, like the giant balcony they built for taking photos over the See.

Until the late nineteenth century, Hallstatt could only be reached across the lake or along mountain paths. Now two roads arrive, one along each shore.

With no viewpoints available and the sun already dropping, I made a point of covering every street, the ones that climbed and had no shops, the ones far from the panoramic spots. Even so, the village ran out quickly.

I took the bus back to Obertraun. I wasn’t going to give the boat people the satisfaction.

After waiting in the silence of the station, I boarded the empty train. At the next stop, Hallstatt’s, everyone got on.

Do you have a town next door? One you reached by accident and liked better than the famous one. Leave its name in the comments: I’m collecting them for a future piece.

Originally published in The Detour on 14 July 2026.

La playa de la foto no era mi playa
The postcard beach wasn’t my beach

Four Sicilian beaches, and the best one isn’t the famous one.

The most useful warnings before a trip don’t come from guidebooks — they come from people who make a living receiving travellers. I learnt this working with hosts at Airbnb. Before my first trip to Sicily, a mendocina with Sicilian roots warned me: “To travel through Sicily, plan your trip around the colour of the sea and the sand, depending on what you like.” These are four I tried.

Vendicari

When I do road trips, I like to look at the map for places to add as intermediate stops. That’s how Vendicari appeared, on the way down from Noto towards the coast. A nature reserve where there were once tonnare; today, occasional flamingos and travellers chasing the promise of Caribbean sand. To reach Calamosche you walk a slightly arid trail, watching birds along the way. I don’t know whether it was the heat, the sun, or the intensity of a Sicilian autumn that still feels like summer, but after walking forty minutes under the sun towards the famous turquoise, I liked it, but I didn’t find myself there.

Isola Bella

Taormina is one of Sicily’s jewels: its Greek theatre, its views that feel like a balcony over Etna, its elegant streets, and lately, the fame of White Lotus. Parking the car was a challenge I wouldn’t wish on anyone: streets with impossibly steep gradients, a tiny car park, and a crowd that overwhelms. It felt a little like stepping out of the Sicily I’d been living in. After wandering and walking up to the next village, I decided to visit Isola Bella. The cable car connecting the historic centre to the Mazzarò coast was closed — I think because of strong winds. Luckily, the heat at Calamosche had already trained me to walk in high temperatures, and going down is always easier than going up. The view is the beautiful postcard we all know. But I didn’t stay for the day: the shallow water, the jellyfish, the crowds. Obligatory photo, and I left. Not my cup of tea.

These days, the most photographed beach of a place and the best beach of a place are almost never the same.

Giardini Naxos

I rented the flat of the mendocina host, the same one from the warning, and let myself stay somewhere off the circuit, at the foot of Taormina. It isn’t a magazine destination. Walking towards the fishmonger waiting with i ricci, the signs spoke to me in Italian and in Cyrillic; the Russians discovered this stretch of coast decades ago, before fashion looked this way. I gained breakfasts and dinners listening to the waves. The beach is long, of black sand: the same sand you slide down running when you trek up Etna. Going out for a jog in the morning and slipping into the sea on the way back. A sea that drops off quickly, only a few steps before you can swim. Fish passing by, the water a deep blue — not the turquoise of postcards but something deeper, transparent all the same — and Etna erupting in the distance.

Etna erupts almost always, and watching it with its explosions while floating on a beach made of its own sand wasn’t a tourist curiosity, but learning what Sicilians have known for centuries: that you can live close.

Favignana

It isn’t quite Sicily. It’s an island apart, off the west coast, an hour by ferry from Trapani. And unlike the others, it isn’t a place to arrive at but to wander through: by bike or by golf cart, from one cove to another, jumping off the rocks into transparent water, going back the next day to the one you liked best. If you’ve travelled European beaches, you probably own a pair of water shoes; mine came from a stall at the port. A detour within the detour.

What would your beach be? The one at the end of the hot trail, the postcard one, the one by Etna, or the ones in Favignana by bike? It says more about you than about Sicily.

Originally published in The Detour on 27 May 2026.